Cinesonidos : film music and national identity during Mexico's Epoca de Oro. /

Author Jacqueline Avila looks at the ways that Mexican cinema and its music during the silent and early sound periods continuously reshaped the contested, fluctuating space of Mexican identity, functioning both as a sign and symptom of social and political change.

Gespeichert in:
Weitere Titel:
Introduction : listening to the Época de Oro --
The prostitute and the cinematic cabaret : musicalizing the "fallen woman" and Mexico City's nightlife --
The salon, the stage, and Porfirian nostalgia --
The sounds of indigenismo : cultural integration and musical exoticism in Janitzio (1935) and María Candelaria (1944) --
The singing charro in the comedia ranchera : music, machismo, and the invention of a tradition --
The strains of the revolution : musicalizing the soldadera in the revolutionary melodrama --
Epilogue : after the Época de Oro.
1. Verfasser:
Avila, Jacqueline
Format:
Elektronisch E-Book
Sprache:
Englisch
Veröffentlicht:
Oxford, England : Oxford University Press, [2020]
Zusammenfassung:
Author Jacqueline Avila looks at the ways that Mexican cinema and its music during the silent and early sound periods continuously reshaped the contested, fluctuating space of Mexican identity, functioning both as a sign and symptom of social and political change.
Umfang:
1 online resource (xii, 274 pages) : illustrations
ISBN:
0-19-067133-5
0-19-067134-3
0-19-067132-7
Schlagworte:
Motion picture music > Mexico > 20th century > History and criticism.
Motion picture music > Mexico.
Motion pictures, Mexican > History > 20th century.
National characteristics, Mexican, in motion pictures.
Bezugswerke:
Links: