Baudelaire in song : 1880-1930 /
Why do we find it hard to explain what happens when words are set to music? This study looks at the kind of language we use to describe word/music relations, both in the academic literature and in manuals for singers or programme notes prepared by professional musicians. Helen Abbott's critique...
Gespeichert in:
- 1. Verfasser:
- Format:
- Elektronisch E-Book
- Sprache:
- Englisch
- Veröffentlicht:
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Oxford :
Oxford University Press,
2017.
- Ausgabe:
- First edition.
- Zusammenfassung:
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Why do we find it hard to explain what happens when words are set to music? This study looks at the kind of language we use to describe word/music relations, both in the academic literature and in manuals for singers or programme notes prepared by professional musicians. Helen Abbott's critique of word/music relations interrogates overlaps emerging from a range of academic disciplines including translation theory, adaptation theory, word/music theory, as well as critical musicology, metricometrie, and cognitive neuroscience. It also draws on other resources - whether adhesion science or financial modelling-to inform a new approach to analysing song in a model proposed here as the assemblage model.
- Umfang:
- 1 online resource : illustrations (black and white)
- Anmerkungen:
- This edition previously issued in print: 2017.
- Zielpublikum:
- Specialized.
- Bibliografie:
- Includes bibliographical references, discography and index.
- ISBN:
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0-19-251365-6
0-19-183616-8 - Schlagworte:
- Bezugswerke:
-
Parallelausgabe: 0-19-879469-X
- Links: